Maccyt1955
Let me just explain a little.
Everyone who signed up to the class, which incidentally I taught free, the money went to our local library, wanted to improve technique, that's what the classes were for.
It was also my job to judge, like it or not, which books a publisher might be interested in. Publishers are business people and what they take on board must sell to make a profit.
People who join a class, are given exercises and helpful advice. If they then just laugh and say, 'But I'm waaaaaay beyond that sort of thing.' They don't want to learn.
Often they have sent their manuscript to Random House or Harper Collins and their collection of funny things their pets did, or poems their children wrote, is not what a publisher is looking for. So they were rejected.
The writers could not understand why, when they and their family thought it was so amazing, a publisher didn't leap at it, offering a huge advance.
Should I have lied about what publisher are looking for?
Instead, I told the whole class that New Zealand was a small market and often, in order to make a profit, a publisher has to sell thing internationally as well as at home and therefore will choose only the best of a very large pool of enthusiastic NZ writers.
When you join a writers group - and I have sat in on many, prior to giving talks, what you get is praise. 'Oh, that's wonderful Betty!'
And Betty thinks it is - but there are glaring mistakes and weak writing and a lack of all the absolutely necessary things which make a great story and good writing - and what a publisher is looking for. If publishing is the goal which in 99% of cases, it is.
If you don't know what 'scene goals' and 'story goals' are; if you don't know how to build up tension and move from one peak of conflict or danger to another; if you can't build convincing characters; if you haven't done your research correctly; if you can't edit effectively - then you need to learn more about your craft.
And that is what my classes were supposed to do - help.
Criticism was never, ever given unkindly.
I wasn't running an ego-stroking writers' group but a creative writing class which was billed as a learning device.
I never tried to put any writer down, I only offered help.
BTW, three of the young writers who came to my classes and worked diligently at their homework are now published and doing very well.
None of the arrogant 'I'm waaaay better than that' writers are.
I hope you get a really GOOD tutor who will be honest about what's needed and guide and advise you on your way.