I don’t know how many times this has to be said but Riot Women was about so much more than the menopause - as anybody who has watched the six hour drama will know.
Not in any particular order. Child rape. Criminal gangs. Misogyny and sexual assault in the police force. Misogyny and inappropriate male sexual behaviour in general. Grubby, male underground social media networks. Alcohol and drug abuse. Depression and suicide. Infidelity. Marriage break up. Empty nests. Isolation. Feeing undervalued at work. The can of worms that can be opened when adopted children look for their natural parents. The pain of childbirth. Family arguments over inheritance. Dementia and caring for aged parents. Both Beth and sisters Holly and Yvonne have mothers with dementia.
It’s more about the strong bonds that women form to support one another to get through these life issues than menopause. One of the most poignant scenes for me was when Jess gives Kitty a job, knowing she’s been in prison. The most poignant is with Beth and Kitty in the restaurant.
One of the band members, rock drum-playing gran Jess (Lorraine Ashbourne), whose idea it is to start the band, has a transgender child, Miranda. Jess’s whole family could be described as alternative. Head of the family is dreadlocked spliff-smoking, former Greenham Common women Auntie Mary (Sue Johnson), who owns the pub Jess now runs. Jess’s and Beth’s mothers were both at Greenham Common with Mary. Jess also has a bi-sexual daughter, Chloe.
Both of Jess’s children have only minor parts in the drama. Transgender Miranda only has a couple of small scenes. one where she berates her mum for keeping up the (misunderstood) feud with Inez and another when she’s asked to stand in as backing singer after young police officer Nisha has been beaten to a pulp and left for dead. Miranda is on screen for five minutes at most in a six hour drama.
Are You Finding the Hot Weather is Making you Short Tempered?


